Gwendolyn Toth

Gwendolyn Toth is the director of the New York City-based early music ensemble, ARTEK, and a soloist on early keyboards (organ, harpsichord, fortepiano). She is married to harpsichordist Dongsok Shin, and they have three children.
Showing posts with label Scheidemann. Show all posts
Showing posts with label Scheidemann. Show all posts

Thursday, June 2, 2011

Visit to Norden, Germany

Today Dongsok and I, together with our friend Willem van Neck, visited the magnificent and unusual Arp Schnitger organ in the Ludgerikirche of Norden in Germany. The organ is unusual because of its placement - it wraps around the corner of two arms of the crossing. There are five divisions: Werk, Ruck Positif, Brust Positif, Pedal, and Ober Positif. The first four speak in one direction (towards the congregation), but the Ober Positif speaks to a different side (towards the main altar). The tuning is a 1/5 comma meantone, which means in theory G# and Ab can be played from the same keys, but nevertheless they do tend to favor one (G#) over the other. The keyboards are short octave (lacking C#, Eb, F# and G# in the lowest octave), although the Ruck Positif and Pedal do have extra keys in the bass for some off those missing notes.

I tried a variety of pieces. Some Bach pieces were fine: in keys like A major, F major, etc. Not ones with high D (organ only goes to high C). Not anything in far keys - no B minor definitely for sure! Bruhns Praeludium in E, surprisingly, was so frighteningly badly in tune that it was unplayable. Buxtehude E minor Ciaccona, however, was fine. Scheidemann, of course, was all fine. Boehm fine too. Very interesting. I expected Bruhns to be perfect. I did not expect the tuning to be so "mean" for this organ.

Some pictures: Willem and I outside the church, me at the keyboards playing, and a short video of a few Pachelbel variations (but, recorded up in the organ loft - so no real idea possible from this of the beautiful sound of the organ in the actual space.)

Tuesday, May 31, 2011

In Noordbroek




I am in Noordbroek, Holland where the weather is rainy and cold. I have been here practicing since last Friday. Dongsok joined me yesterday, and today we had our first full day of recording. Bach: Prelude & Fugue in B minor; Bruhns: E minor Praeludium; and several smaller pieces by Boehm and Scheidemann have all been recorded. The organ sounds fantastic, and Dongsok has a great mike setup that really makes the recorded organ sound exactly as it sounds to us in the live church.
Pictures attached (outside of church, the organ, and graveyard just outside the entrance). More pictures soon!